Ooyah! Punishment in the fun comics

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-MikeD-
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Re: Ooyah! Punishment in the fun comics

Post by -MikeD- »

Phoenix wrote:The strip was essentially unpleasant and disturbing, Mike. The fact that the majority of its young readers may not have noticed the subtext didn't make the strip any less unpleasant or disturbing.
I like your underlined was, when you surely mean is…if it was published tomorrow it would still raise an eyebrow or two. But I believe you're way off the mark if you think everybody would agree that this strip is both unpleasant and disturbing. The act it clearly alludes to in the dialogue is, but the strip isn't in itself. Like I said, I just see a clumsy, even crass (panel three...), attempt at transgressive humour with the context, a mainstream kids' comic, being relevant.

Even the almost inexcusable wording in this example, which can only be taken to be a reference to pedophiliac rape, is part of the same pushing of the boundaries that artists and writers often engage in. I don't see it as an attempt to legitimise, condone, or downgrade the crime to an act of contravention. In fact, the juxtaposition of these words with the supposedly sexless act of corporal punishment is revealing. I admit that as an arts graduate with years of hanging around the fringes of society I may have a more liberal view than is prevalent around these parts, but that's why I have to take issue with your assumption that we all find the actual strip unpleasant and disturbing. I hear what you're saying - that any and all references to such acts are not comedic in any respect - but you have to accept that the artist/writer of this strip appears to have had a different point of view....
Phoenix wrote: I think we must bear in mind that the comic would probably also have been read, although not necessarily bought, by a minority of older children, as well as by those parents who read the comic strips to or with their children, who may well have picked up on the innuendo. I also feel that the subtext is rather more substantial than corporal punishment was often just a peccadillo. In fact, I think there is a general agreement on this forum that there is a deeper subtext here. Regarding your point that a grown man hitting a young girl on her exposed buttocks will always have a sexual dimension, I do think you need to add the caveat that this would not normally be the case where it is a father smacking his daughter.
Maybe. But I think if this is depicted, whether in prose, art or film then even this relationship between the spanker and spankee can easily become sexualised to some by the addition of the voyeuristic dimension. Effects which, speaking psychosexually, may sometimes be beyond the control of the artist. I've heard it said that an artist should ultimately be responsible for the effect of his art, but these effects are myriad and often unpredictable. I'd be as outraged as you appear to be if you could show that this strip had any predictably negative effect on the readers, and, by extension, society.
Phoenix wrote:You may well be right that comics showing punishment beatings of children might have had some influence on the awakening of an awareness of children's rights, but if you are suggesting that the carefree cartoon world of a children's comic was the ideal place, for whatever reason, to bring the issue to the mainstream, which I take to mean adults, you would appear to be contradicting the point you made in your first lines, in which you seemed to dismiss the likelihood of the artist's subtext being spotted at all.
No. I said that older readers would get the innuendo. But I guess the use of the imagery in the context of a comic strip was a result of newly minted mainstream concerns, and a lack of inhibition - not a didactic expression as such, but an admission of the existence of such concerns and, as I said, I feel it's primarily an attempt at prurient humour. A few years later the underground comix movement would take this material to it's logical extremes, and find a comic audience of (mainly :) ) adults.

And, for those that don't get the 'too tight' - she's referring to her bonds. Look at the picture - she's tied to the foot stool...(this just gets worse, doesn't it?).
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Re: Ooyah! Punishment in the fun comics

Post by colcool007 »

It never fails to astound me how much sub-text we can find if we look for it.

@Mike, you're right. I never even noticed the bonds around her hands.

I think what we have here is a case of we are looking at a 1960's comic with 21st Century sensibilities. The sub-text does appear to indicate pedophiliacal/sadistical tendencies, but do we know if the artist or the writer even realised that this script could be read in such a fashion?

I agree that if this was published today, we would see the points raised by Mike and Phoenix and rightly so, but would anyone have even realised this way back in the 60's? I am only a dilettante in social sciences, so I am not sure when mainline perception would have been aware of the thought of examining images in comics for such potential warping of the child's mind. I know it existed in 1976, otherwise the furore over Action would never have taken place.

This is where Mike and Phoenix tell me to get back in my box! :lol:
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Re: Ooyah! Punishment in the fun comics

Post by -MikeD- »

colcool007 wrote:This is where Mike and Phoenix tell me to get back in my box! :lol:
Get back in your... :D

Yeah - we're probably over analysing this, (okay - I admit I'm definitely over analysing this! It's been a slow day - sorry) but I'm sure that, even in the Sixties, the creators of this unusual strip were aware of the double meanings...
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Re: Ooyah! Punishment in the fun comics

Post by stevezodiac »

Surely Penny would have said "They're too tight" if referring to her bonds?
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Re: Ooyah! Punishment in the fun comics

Post by -MikeD- »

stevezodiac wrote:Surely Penny would have said "They're too tight" if referring to her bonds?
Yeah - an excellent point. Clearly, I think the dialogue is a reference to the bonds, but adapted to make the innuendo clear and, therefore, members of the jury - I put it to you that we now have proof that the creators were fully aware of the subtext... :o

Edit - Or...the dialogue is just a reference to shoe shop tropes. 'it's too tight...it's hurting...it'll break in' forms a common conversation between parent and child in a shoe shop which we're over interpreting...heh. :oops:

Those Smash! creators were too clever for us...
Last edited by -MikeD- on 14 Aug 2011, 12:56, edited 3 times in total.
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Re: Ooyah! Punishment in the fun comics

Post by Phoenix »

Just a few concluding remarks, Mike, before I too bow out of this discussion, which doesn't seem to be getting anywhere. Indeed I see a certain irony in the fact that we are having some difficulty interpreting each other's words in a discussion about how we interpret somebody else's. One example is your line I like your underlined was, when you surely mean is. If I had meant to write is, Mike, I would have written is. I did assume, though, that by using the word essentially, you would realise that I was also implying is, and will be as well. Actually, I underlined was in order to emphasise the word, not to establish the tense. You had already done that with It probably went over their heads and, by implication, with For the children reading it at the time. I was merely following your lead.

I need to take issue with you where you say The act it clearly alludes to in the dialogue is (both unpleasant and disturbing), but the strip isn't in itself, because that assumes that the drawings and the dialogue are to be treated as two separate entities. Obviously I don't mean that a cartoon strip can't work perfectly well without any dialogue, but in strips such as the one we are discussing, they are interconnected, and this is particularly crucial in terms of the panels we are taking exception to.

A couple of times you have alluded to the value of pushing the boundaries. I have nothing against this approach. Experimentation along these lines over the years has produced stunning advances in disciplines such as medicine and astronomy for example. In the arts too, of course, but there is greater scope there for personal opinion. I take it you would agree that Tracy Emin has pushed boundaries. Her work divides opinion sharply, though. A few years ago I spent the best part of two hours in a room in the Tate (Britain, I think it was) that was devoted entirely to her works, genuinely trying to figure out what all the fuss was about. I didn't find it, and to this day I have never seen any artistic qualities in anything I have ever seen of hers, although I have found a number of her works objectionable. The fault may well be mine, a blind spot perhaps. I could also be wrong in concluding that the boundary pushing in the Bad Penny strip is equally pointless and objectionable. I don't think so, but they are just opinions after all.

Finally, I do not agree with your assumption that the words too tight are referring to her bonds. There are two of them so the girl would use the plural they're rather than the singular it's. In any case the guy spanking her knows she is referring to the slipper because he says Nonsense! It'll soon break in!, that being the innocent interpretation of course.

Perhaps we should just ask Bob Dewar, or whoever the artist actually was. Assuming he's still alive. Or not, does it really matter?

P.S. While previewing this post, I see that Steve has reached the same conclusion as me about Mike's misinterpretation of the complaint it's too tight!, and Mike's objection to Steve's view. I'm posting my entire contribution anyway.
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Re: Ooyah! Punishment in the fun comics

Post by stevezodiac »

Well at least my original post on this topic wasn't met with the sound of crickets but did anyone look at the Kes clip?
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Re: Ooyah! Punishment in the fun comics

Post by Phoenix »

stevezodiac wrote:Well at least my original post on this topic wasn't met with the sound of crickets but did anyone look at the Kes clip?
I didn't, Steve, but I'm sure I've got the DVD somewhere. It's a brilliant film, possibly even better than the Barry Hines novel A Kestrel For A Knave that it was based on. The football match in the PE lesson is a wonderful visual cameo, so funny, a masterpiece in my opinion.
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Re: Ooyah! Punishment in the fun comics

Post by Niblet »

Thanks for posting the missing parts of the strip, Steve.

Re the earlier speculation over the artist... having now seen all the art, I'd suggest that, based on the reply to my enquiry below, it's Doug Goodwin...

http://www.comicsuk.co.uk/Forum/viewtop ... 127&t=4104
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Re: Ooyah! Punishment in the fun comics

Post by stevezodiac »

I've just listed my Smash! doubles on ebay. I have two doubles of issue 99. Its a shame the Power comics were printed so badly with the uneven page alignment as it means, given their larger size, they have suffered a bit condition wise. Nice firm issues are hard to come by.
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Re: Ooyah! Punishment in the fun comics

Post by stevezodiac »

I have 15 copies of Smash! on ebay but only number 99 has attracted a bid. Who knows it could become another Lady Chatterly's Lover.

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Re: Ooyah! Punishment in the fun comics

Post by AndyB »

I can see why you think it could be Doug, and I'm not saying you're definitely wrong, but I'd still guess Bob Dewar instead. Different set of pens.
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Re: Ooyah! Punishment in the fun comics

Post by dishes »

(Back to the initial topic): If DC Thomson comics emphasized justice and retribution more than its London rivals, its hardly surprising considering the nature of the company, founded and run by a family of hard-line conservative bible-thumping protestants.
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Re: Ooyah! Punishment in the fun comics

Post by dishes »

Image


By the way, Bob Dewar was always one of my favourite cartoonists, and his Thomson stuff was not all sweetness and cutesiness. Plenty of wildness in his run on the Three Bears, or Emlyn the Gremlin. (Above: "Ruff and Freddy" by Bob Dewar from the Beano book 1988, a big favourite of mine)

If he drew the offending Bad Penny strip, there's only one way to know how much sinister subtext was intended. Ask him.
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Re: Ooyah! Punishment in the fun comics

Post by NP »

I don't see any hint of Bob Dewar's style in that Bad Penny. Could someone with those Odhams file copies have a look and see who drew it? (Whoever it was drew many strips in Wham and Smash in 1966-8)
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