geoff42 wrote:hi, phoenix, so much knowledge and wisdom to impart as regards the old comics. Please hurry and complete your knowledge in print; the likes of you will forever bear a testament to the "old Print". 'nuff of the obsequiousness nature, just get into gear!!
I'm not just in gear, Geoff, I am on the move. However, you can't write books in a hurry. Speed is the enemy, time is the friend. I've already had to postpone my principal contribution to
This Was The Victor that Ray Moore and I are compiling because I can only focus on one thing at a time, and my focus is firmly on Thomsons' story papers for girls, a project that has the company's enthusiastic approval. The preparation time I will require will be roughly the same as for
This Was The Wizard because although there were 831 serials to read in
The Wizard, and there are many hundreds more in the ten girls' titles I am featuring, as the latter are in picture form where the former are in text form I can read them more quickly. The fact that I know many of them already will obviously also reduce the preparation time somewhat. I still don't have all the issues so I will have to go to London to consult all my missing ones in the British Library. As most of the girls' titles are in their storage facility in Boston Spa, near Wetherby in Yorkshire, I will have to pre-order them about three days before I go to London in order to give them time to get the volumes to St. Pancras for me. I figure I will need about ten days for the task, so two visits of a week should suffice. It will only cost me the train fares as I will stay in my son's flat in Southfields.
The presentation of the fiction will not be in the same form though. This time I will be dealing with it by theme, and inevitably I will need to be selective. Hopefully I will not fail to feature any reader's favourites. However, if by some mischance I do, as some form of compensation, a complete alphabetical list of all the serials in all ten papers, with issue numbers, dates, and locations will appear somewhere in the
Bibliography Of Works Consulted section. In my Introduction I will be looking at the history of fiction for girls from the late Nineteenth Century, probably starting from
Little Women, and working through to Anne Digby's series of fourteen stories about Rebecca Mason's schooldays, which started in 1978 with
First Term At Trebizon, in order to note and assess any trends or developments that might shed light on the thinking behind the creation of, and later changes to,
Bunty et al. I haven't done any of the actual work on the Introduction yet, but I have got all the primary sources and, as far as I know, all the relevant analytical works. I suspect that a lot of emphasis will need to be placed on school stories given the heavy emphasis on them by influential writers such as Angela Brazil, Elinor Brent-Dyer, Dorita Fairlie Bruce, Elsie Oxenham and, to a certain extent, Enid Blyton, not to mention weeklies such as
Schoolgirl's Own,
Girls' Crystal, and
School Friend. It is, of course, possible that I could find that Enid Blyton's non-school stories, in particular her two series of Famous Fives' stories of mystery and adventure, had some kind of influence on the equivalents in
Bunty et al. But that's for the future. Leave it with me.